Events

In the 1960s, activist Chicano artists forged a remarkable history of printmaking that remains vital today. Many artists came of age during the civil rights, labor, anti-war, feminist and LGBTQ+ movements and channeled the period’s social activism into assertive aesthetic statements that announced a new political and cultural consciousness among people of Mexican descent in the United States. ¡Printing the Revolution! explores the rise of Chicano graphics within these early social movements and the ways in which Chicanx artists since then have advanced innovative printmaking practices attuned to social justice.

More than reflecting the need for social change, the works in this exhibition project and revise notions of Chicanx identity, spur political activism and school viewers in new understandings of U.S. and international history. By employing diverse visual and artistic modes from satire, to portraiture, appropriation, conceptualism, and politicized pop, the artists in this exhibition build an enduring and inventive graphic tradition that has yet to be fully integrated into the history of U.S. printmaking.

This exhibition is the first to unite historic civil rights era prints alongside works by contemporary printmakers, including several that embrace expanded graphics that exist beyond the paper substrate. While the dominant mode of printmaking among Chicanx artists remains screen-printing, this exhibition features works in a wide range of techniques and presentation strategies, from installation art, to public interventions, augmented reality and shareable graphics that circulate in the digital realm. The exhibition also is the first to consider how Chicanx mentors, print centers and networks nurtured other artists, including several who drew inspiration from the example of Chicanx printmaking

Since its opening in 1954, the McNay has consistently collected and presented artwork by women. The Museum’s founder, Marion Koogler McNay, was an artist and a supporter of the arts–and we strive to honor her legacy.

Womanish: Audacious, Courageous, Willful Art features artwork by women acquired by the McNay from 2010 to the present. In 2010, the McNay presented the landmark exhibition Neither Model Nor Muse, which celebrated artwork by women from all of the Museum’s major collecting areas. Envisioned as a second chapter to this exhibition, Womanish features over 70 artists and demonstrates the McNay’s ongoing commitment to women.

The title of this exhibition is inspired by Alice Walker’s essay Womanist, in which she defines womanish as, “Usually referring to outrageous, audacious, courageous or willful behavior.” By highlighting the wide variety of ways women express themselves through art, this exhibition aims to celebrate the term “womanish,” which is all too often considered derogatory.

The artwork represented spans over 90 years and includes portraiture, abstraction, landscapes, and more. This exhibition includes regionally, nationally, and internationally known artists, who exemplify a range of lived experiences as well as many sources of inspiration.