Gráfica América presents works by artists representing print shops, publishing houses, and artist collectives from throughout the United States, México, Central America, South America and the Caribbean. The exhibition celebrates the collaborative spirit of printmaking through historical prints and publications as well as contemporary traditional and experimental works made in collective studios and workshops established by Latin American and Latinx printmakers.
Gráfica América, is organized by the Museum of Latin American Art and is curated by Gabriela Martínez, MOLAA Curator of Education and Rogelio Gutiérrez, Professor of Printmaking at Arizona State University – School of Art.
Paul Robeson, 54 Halsey Street, 3rd Floor, Newark, New Jersey 07102
Main Gallery, Express Newark
Opening reception: March 28th, 6-8 p.m. | RSVP on Facebook
Feast & Famine explores food as a social, political, and bodily phenomenon. The exhibition considers food as a commodity; the relationship between food, death, sex, and the abject; food’s relationship to global economics and geo-politics; food and its likeness as a medium for artistic experimentation; the food chain and the environmental impacts of food production; and food justice. Feast & Famine gathers together works in a variety of media from artists and artist collectives working nationally and internationally, at different stages in their career.
With works by John Baldessari, Gladys Barker Grauer, Jackie Batey, Christopher Cardinale, Maria Fernanda Cardoso, Morgan Carothers, Melanie Cervantes, Catherine Chalmers, Dustin Chang and Nicole Schulman, Julie Chen, Claudia Claremi, Willie Cole, Conflict Kitchen (Jon Rubin and Dawn Weleski), Sharon Core, B. Cortez and B. Riley, Renee Cox, Critical Art Ensemble, M. Gayle “Asali” Dickson, Emory Douglas, Dominique Duroseau, Shanthony Exum, Molly Fair and Jesse Goldstein, Lauren Greenfield, Ella Halpine, Ed Hutchins, Nina Katchadourian, Tamara Kostianovsky, Nicolas Lampert, Warren Lehrer, Mike Libby, Jen Liu, Fernando Martí, Mary Mattingly, Mazatl, Divya Mehra, Marilyn Minter, Mary Mortimer, non/food (Sean Raspet and Lucy Chinen), Taring Padi, Roger Peet Robert Rauschenberg, Favianna Rodriguez, Keary Rosen, Martha Rosler, Erik Ruin, Christopher Russell, Seeds InService: A Papermaking Institute (Melissa Hilliard Potter and Maggie Puckett), Malik Zulu Shabazz, Lucy Sparrow, Meredith Stern, Jen Susman, Swoon, Wayne Thiebaud, Chris Thorson, virocode (Peter D’Auria and Andrea Mancuso), Robert Watts, Emma Wilcox, Joe Wirtheim
Artists: Sadie Barnette, Demian DinéYazhi´, Patrick Martinez, Dylan Miner, Kameelah Janan Rasheed, Dignidad Rebelde, Jerome Reyes
As we create space for community and reflection, we invite you to join us in acknowledging that we are on unceded traditional homeland of the Yelamu and Ohlone Ramaytush peoples who have stewarded this land throughout generations. We pay tribute to indigenous elders past, present, and future.
Southern Exposure presents Solidarity Struggle Victory, a contemporary appraisal of one of the Bay Area’s most revolutionary contributions to the world: the right to learn about ourselves. This exhibition showcases six artists and one collective whose diverse practices reflect the region’s legacy of critical engagement, radical activism and the ethos of solidarity, self-determination, and emancipatory education. Solidarity Struggle Victory commemorates the 50th Anniversary of the country’s first ever College of Ethnic Studies, established at San Francisco State College in 1969, ushering in a national movement for the transformation of higher education. Beginning in November 1968, the Black Students Union and the Third World Liberation Front (TWLF) organized a student strike joined by faculty, staff, and community members to protest systemic racism and overall disregard for the concerns of indigenous students and students of color. The months-long struggle formed in solidarity among Black, indigenous, and people of color and their allies demanded greater access and diversity in students and educators and revised curriculum that included the histories of all people. In the fall of 1969, the College of Ethnic Studies welcomed students in its four founding departments: American Indian Studies, Asian American Studies, Black Studies, and La Raza Studies. The new College cemented the era’s newfound recognition for the intellectual, artistic, and cultural contributions of Black, indigenous peoples and people of color throughout the nation. In conjunction with the exhibition, E.M. Wolfman Bookstore will curate a selection of books and texts that engage with radical education, pedagogy, social justice, and other related themes which will be available to purchase or browse. An exhibition catalogue will be produced in collaboration with Sming Sming Books.